A red truck climbs a bend in the distant road
A man in a yellow vest unloads bubble wrap bulk from a white van in the car park
Closer, a small blue saloon stands still in a disabled bay
A grey-haired man at the wheel
I think he’s reading
Standing cars don’t wobble or emit exhaust fumes anymore
Out of earshot you can’t tell whether engines are running
Swallows dive
A woman in a long coat with orange shoulder patches, her hair combed down and parted in the middle, walks toward the ATM
A young black man carries milk under his arm
An old man in a windcheater, flat cap and brown slacks makes slowly and with purpose toward the store, dwarfed by the industrial size of modern things
The martial architecture
More cars arrive
A fast blue one high on its haunches
One of no definite colour, just reflecting leaves and sky, with ladders on the roof not sun
Ah! Now I see exhaust fumes and a rattling chassis. A black fiat. An open door. The driver out and up front, scraping the screen for ice
How the winter falls fast up north
In politics, they sacked the minister for seasons. Cut backs.
Autumn got cancelled. Or from the looks of it, frozen
No longer tracking the base interest rate
Autumn, like blue collar salaries, out in the cold
I sit close up against the mighty pane
Lit-window exposure. Alone with everything
Two blokes on the back bench and Florie poised behind the counter
Coffee in the urn
Neat squares of silence beat sequentially
Vast empty spaces
Cavernous retail minimalism
We are window dressing
Edward Hopper’s Nighthawks
Not quite in the day
Perched on a threshold
Both connected to and severed from the world by the same old see-through walls
Prison guard disguised as a friend from home
Never quite in the game
Performing not being
Like cars
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