he was a word-smith
collector of latent nouns
like counterpane and camber
a sifter
adjective hoover
a tense fence
by the water he would sit and read
in his head he'd built a memory palace
an upstanding rural mansion of local quarry stone
leaded windows
in the libraries hung blue silk drapes
large gold-framed mirrors
ornate carvings and artefacts
on marble floors
oak panels and a black skirt finish
and the books.......
mile on imperial mile of identical cloisters
the word hoard
he'd tend to the palace daily
and, knowing the discipline of love,
he'd eek out, re-write, update and contextualise
he'd dummy-run a few layered analogies
and dust down volumes of empirical evidence for future reference
like un-got knowledge banked
filing couldn't be chronological
just logical
colour-coded by truth and weighted for usage
louder colours flagging novelty and popularity
indexed by meaning
not word-meaning but the meaning of life
indexed by happiness
15/06/10 GK.
(copyright)
a roomful of creative ideas and brush strokes of word-paint, made of glass and perched high above the water
Tuesday, 15 June 2010
Thursday, 22 April 2010
Topaz Taz
Falling away from the shoreline
Proud on the chattering swell
I'd carve up an arc around Agecroft
Two rings of my bicycle bell
Magenta on violet, blinding
Incendiary sunlight flood
What a dazzling sight
When the noise of light
Rings out like the break of dawn should
She was there in the bleak mid winter
In the shadowless 6 am pitch
She was there at the coming of springtime
Amidst the flickers of the daylight twitch
She was most at home when all was fully grown
When the eights and the singles rowed north
Through the summertime jazz
Old Topaz Taz
Sat gleaming on the Salford wharf
copyright
22/04/10
gknapton
Proud on the chattering swell
I'd carve up an arc around Agecroft
Two rings of my bicycle bell
Magenta on violet, blinding
Incendiary sunlight flood
What a dazzling sight
When the noise of light
Rings out like the break of dawn should
She was there in the bleak mid winter
In the shadowless 6 am pitch
She was there at the coming of springtime
Amidst the flickers of the daylight twitch
She was most at home when all was fully grown
When the eights and the singles rowed north
Through the summertime jazz
Old Topaz Taz
Sat gleaming on the Salford wharf
copyright
22/04/10
gknapton
Monday, 22 February 2010
What Do You Want ?
What Do You Want ?
Back when God was a boy
We lived on the earth under great skies
We played in the streets and the building sites
Demarking our territory with wooden planks and bricks
We moulded race tracks for marbles out of mud
Fashioned with our bare hands
Filthy up to our elbows
Extracting mud and meaning from life
Back before money
I would sit in the field where the street ended
And I would create whole worlds out of a pile of sand the builders left behind
And when it got dark I'd carry on
Because it wasn't about light it was about those worlds
And dark was what they got
Back before vanity and a sense of lack
I'd warm up the telly for my dad
Because tellys didn't come on straight away in 1977
But it didn't matter
We were happy because we were using what we had
Not wanting what we hadn't got
Life, then, didn't add up to what you owned and how you looked
Rather, it totalled the sum of what you did and what you sought to achieve
Whole numbers
copyright
gknapton 22 feb 1010
Thursday, 11 February 2010
Spring - Part 1 (2010)
Everything's gone brighter, somehow
Everything's gone brand new
There's a smile in the evening light now
There's a glint in the morning dew
Spring is on the horizon
All but in my sight
Nudging into my consciousness
Drifting into my dreams at night
Bring the birds and the bees on
Spring sprung up from the ground
White-tooth grins without reason
Second chances all round
Spring is nearly in season
Wiping all the slates clean
Spring is coming back home at last
Painting all of earth blue and green
Cast your eyes on the future
Spring is singing her song
Like she's back for the first time
Like she's never been gone
Thursday, 4 February 2010
stone acoustics
from a collection entitled "Let's Get Killed" by Gary Knapton
In our flats, at the foot of the atrium, there's a pebble garden
And at the corner of each of my weekends I like to find time to play Stone Acoustics
Dropping a coin from the sixth floor directly down onto it makes a sound like cash tills
(the old type) but no patterns
Once, I dispatched my copy of Gullivers' Travels
Besides making a hole in the pebbles the shape of Chile I got the sound of a flying kick from Paul in Tekken 2
Then, last Friday, I found a clothes horse by the chute
Introducing variables I both dropped it and later threw it up ten feet leading into the fall
The Red Sea as it approaches the Gulf of Aden smiled up at me
Though that's water, not a land mass
Does it count more or less?
But with more impact I got India from Hyderabad down to the Maldives, minus Sri Lanka
The sounds were similar on both occasions
A lively assortment of pebble-based cracks and my neighbours yelling
The energy of the human protest complemented the physics
Poetry, like science, is motion
Einstein said gravity informs mass, though in my case, a little longer and my informants would have been altogether less inanimate
This week I aim to invest in a better globe and have a think about more height
I fancy a stab at something wooden at terminal velocity
It's important to think big.
Think continental.
copyright
Netted
Netted
a milestone introspective from a collection entitled "Cry Me A River" by Gary Knapton
You'll be born in '71
On a Saturday afternoon
Just as the tannoys are blaring the tune
All through your school years you'll run with the ball
Early on match days you'll wake standing tall
This bliss isn't normal
It's bliss
It won't last forever
It won't last long
Such is the way of the things you'll miss
Life will grab you, lad
And take you on a journey
Away from freedom and towards the gurney
And love, work and families
A life of no time
For dribbling and balance and rhythm and rhyme
Then, in your thirties
Though you can't know it
The clarion call
Steve will go wide and break loose with the ball
He'll know where you'll be and you'll know where you'll go
You'll drop off the full-back and start moving in
He'll cross without looking
The time-honoured line
It sits up and hangs
You're suspended from time
Then the whip-crack and sweet dull thud
Of true contact
Of leather on proofed leather
The cleanest of drives
Will echo through the heat of a blue summer morning in May 2004
Enjoy it
This is the last goal you will ever score
copyright
Sunday, 31 January 2010
perception deficit
Perception Deficit
gknapton 31/01/10
Planet Earth I take it all back
Your blue skies are the hope in my blue eyes reflected back
When you shine from your sun
I shine
All that I see, you've shown me now, is me
My take on life
Is life
The glow in my lover's eyes is my own need of love reflected
My love of others is that need serviced
Their love of me is only what I perceive it to be, in earnest
My fears are but the pain of being rejected
Planet Earth
You are the canvas onto which I project my map
I am the brush and I stroke out through the inks of my experiences
While I look in the mirror I'll never see what they see
Nor should it be that I can
Embracing life, I accept that
There's a mile between the way I see me and the way I am
copyright
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