Sunday, 5 April 2015

Nocturnal Acoustics; or, "Doing the M-Five-O"


from a collection i wrote called Spit Mancunia


tall trees bristle like the needles of a thistle

to the dance of the waterline breeze

late swans paddle and the smaller birds straddle

bits of jetsam in the lee-ward quays


the dainty clip-clop and the dense hollow din

of the well-heeled leaving their cars

stifled by the shriek of a courting couple

under billions of summer night stars


the audio conundrum of the nearby city

plays percussion so deep and infused

with sounds that are pliable

(if unidentifiable)

the way new crowds are enthused 


flux and density

the rhythm of propensity

introduce her beating heart

the slow chuckle whirr of the inlet risers

lungs of the high-rise art


there can be no equivalent

she’s ambient

ambivalent

she’s tempting you to close your eyes

she’s the muskadoon echo of a long train running

down the mastery of cunning disguise


something otherly

big older brotherly

peels away from my ears

the harmony of still things

life without buildings

cry-baby ship canal tears


are saltwater vials 

on the weather-worn smiles

of a long dead cotton-eye Joe

no words can seal

the clarity i feel

right here in the M Five-O

No comments:

Post a Comment

Spin Rhetorica; or Grin: or If I Were Called In

  If I were called in to construct a belief system, I should make use of birds A codified catalogue of values and full-grown whole known lur...

The House of Words

The House of Words
built like a novel

She Travels Through Books

She Travels Through Books
the green light girl